Looking for Jesus
I feel like one of the magi today. But then, in any art museum, I am
a seeker of the Savior. It’s hard not to
be. Scenes of his life and ministry
dominate – up to a certain point in history.
Detroit’s Art Institute is no
exception. It has an impressive range:
from early Christian art, with its stylized iconography to 19th
century Sunday School seriousness. What
strikes me, as I wander the galleries, is how dominant Scripture was to art and
society for a millennium and a half.
I know that it’s probably wrong to assume
this is because the artists were all devout.
For much of that time, secular scenes were frowned upon (excepting Greek
mythology). But knowing, first-hand, of the
meditative nature of making art, I have to believe that these painters wrestled
deeply with how to get to the essence of a passage of Scripture.
Much like we do in our own Bible studies.
So, when I see an intense, idealized Jesus,
I appreciate the honor being given. He
makes the sign of the cross in one hand and holds the ‘celestial sphere’ (the
universe) in the other. Jesus, the Lord
of all creation.
And I applaud Rembrandt’s attempt to make
Jesus more accessible. Since the artist
lived at the edge of the Jewish quarter in his city, he used a young Jewish
neighbor as his model. I love the tilt
of the head and attentive gaze, as if he is listening intently to us. Or looking right into our needy souls. Jesus, our loving Savior.
In the case of the magi, they knew what
they were looking for but not who. And they only had a vague sense
of where.
Now after
Jesus was born in Bethlehem of Judea in the days of Herod the king, behold,
wise men from the east came to Jerusalem, saying, “Where is he who has been
born king of the Jews? For we saw his star when it rose and have come to
worship him.” (Matthew 2:1–2)
They were driven by an inner need to find
this new king – not just to see him, but to worship him. To become his loyal subjects. Not only to give him their three physical
gifts, but to pay him homage.
Later in the museum, I come across the factory
murals of Diego Rivera. They are immense and overwhelming, portraying humans as tiny cogs in a
huge, impersonal machine. I focus my
camera on just one small vignette: a line of tired, grim workers trudging home
from the assembly line.
Even in a world that has left behind a common
knowledge and interest in Scripture, people are still seeking Jesus. They may
not know it. In their pursuit of significance,
they may turn to a myriad of other sources – work, family, security, or making
some kind of permanent mark (that one often calls to me) – but these are all
the false roads I mentioned in the last post.
Christ is the only true king for which
our hearts were made.
And so, we come humbly before the Savior
like a wise man approaching the infant Christ.
We have no gifts to give but our poor, distracted, inconsistent souls,
submitted in homage.
Which is the
very reason, incredible as it seems, that he came.
Jesus, you
are the One who everyone seeks, whether they know it or not. We bow before you, presenting ourselves as a
gift. Use us for your glory.
Reader:
What art helps you to worship this time of year?
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